Albert Bierstadt
Albert Bierstadt's Oil Paintings
Albert Bierstadt Museum
Jan 8, 1830 - Feb 18, 1902. German-American painter.

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jean-francois millet
The Spinner,Goat-Girl from the Auvergne (san20)

ID: 20815

jean-francois millet The Spinner,Goat-Girl from the Auvergne (san20)
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jean-francois millet The Spinner,Goat-Girl from the Auvergne (san20)


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jean-francois millet

French Realist Painter, 1814-1875 .was a French painter and one of the founders of the Barbizon school in rural France. Millet is noted for his scenes of peasant farmers; he can be categorized as part of the naturalism and realism movements.   Related Paintings of jean-francois millet :. | Woman knitting (san19) | Weg zur Arbeit | Mme.Eugene-Felix Lecourtois (san14) | The Gleaners, | Mme.Eugene Canoville (san15) |
Related Artists:
May Wilson Preston
American , 1873-1949
Horatio Mcculloch
Scottish Landscape painter ,1805-1867 Scottish painter. He was trained in the studio of the Glasgow landscape painter John Knox (1778-1845) and at first earned his living as a decorative painter. By the early 1830s McCulloch's exhibits with the Glasgow Dilettanti Society and with the Royal Scottish Academy had begun to attract buyers, notably the newly instituted Association for the Promotion of the Fine Arts in Scotland. Commissions from book and print publishers allowed him to concentrate on easel painting. On his election as full Academician of the Scottish Academy in 1838, McCulloch settled in Edinburgh and soon became a prominent figure in the artistic life of the capital and a prolific contributor to the Royal Scottish Academy exhibitions. At the same time contact with Glasgow was maintained: McCulloch's favourite sketching grounds were in the west, he exhibited regularly in the city and his most loyal patrons were wealthy Glasgow industrialists such as David Hutcheson (1799-1881), the steamship owner. He seldom exhibited outside Scotland and only once at the Royal Academy, London (1843), but he kept in touch with London artist-friends, John Phillip, David Roberts and John Wilson (1774-1855), through correspondence and visits. His own art collection was evidence of his admiration for 17th-century Dutch painters, for J. M. W. Turner and Richard Wilson.
Maria Fortuny i Marsal
painted Marocco, mercato e case in 1869






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